Lord Jaggannath - Pattachitra Painting

 

Lord Jagannath | Hand-painted Pattachitra

LORD Jagananth worshipped as” The Lord of the Universe “This Painting depicts a scene from the Jagannath Temple in Puri, India.This

Lord Jaganath painting is Pattachitra Style of Odisha. Pattachitra is an extremely beautiful folk art from Odisha and also one of my favourites.

It has been my wish to paint this form of Jagannath for worship purpose from long time. Finally it’s here!

This Pattachitra painting portray Lord Jagannath, Lord Balabhadra/BalaRama, and Devi Subhadra, These intricate artworks capture the unique features, expressions, and divine forms of the deities, allowing devotees to connect with them on a visual and spiritual level.

It depicts the beautiful and unique idol of lord Jagannath in black coloured face and large benevolent eyes with no eye lids. He is having Sudarsan chakra in one hand and having conch another hand

The Lord Balbhadra/ Balarama in white and a robust posture, along with their sister Subhadra . Devi Subhadra in yellow coloured face. with fair tone and have no limbs and looks beautiful in red dress . The triad together represents harmony and peace. Borders had intricated floral designs.

The painting symbolizes unity and the bond between siblings in Hindu mythology. It’s a beautiful representation of devotion and tradition.

Canvas size 32”*20”

Colour- Camilin

Medium -Acrylic on Canvas

 

Navakunjara

This painting is called Navagunjara. This art originate in Orissa called Pattachithra. I  am learning this art .This story is very less known trope from the Mahabharata. Once, when Pandavas were in vanaprastha (in exile to forest). Arjuna encountered a strange composite being which is a combination of nine different animals. It is a part rooster, part lion, part snake, part peacock, part elephant, part bull, part deer, part horse and part human. It was a Navagunjara.  

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  Arjuna was mesmerised but felt equally frightened and unsettling to look at this complicated being. He raised his bow deciding to shoot at it. That is when he hears a voice, an Ashareeri (an anonymous voice) telling “What cannot exist in the human imagination, can exist in the imagination of the Universe. So lower you bow, submit to it”. As Arjuna is hearing, he sees the creature is picking up a lotus, holding in its hand and turning towards him, asking “Don’t you recognise me?”. Arjuna suddenly realises that he knows this form, it is Krishna. Arjuna drops down his weapon, bows before the Navagunjara, realising it in the form of Mahavishnu.Arjuna bowing to Navagunjara. 
   
  This story can be found in the Odia Mahabharata written by Saaraladas in the 15th century. It is also associated with Puri Jagannath temple and can be seen in its temple art. It is interesting how a form or being that is a composition of nine different species is considered to be divine but not a monster .Navagunjara:Nava = 9 , Gun = Quality , Jara = Old / PraisSo probably the creature depicts 9 qualities – and it could be used as a praise, you are awesome as the Navagunjara 🙂

#navakunjara #pattachitraart #blackandwhite #Brushart